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Ivory and Ice-Blue
The first celebration we photographed was pure contemporary glamour. Saloni chose a pale ice-blue gown, sequinned from shoulder to hem, with a sweeping diamond ear cuff and tiny crystals dotted along her brow like frost. Abhishek met her in a cream three-piece suit, waistcoat buttoned, hair swept back. We worked the venue's clean architecture – travertine walls, a glass-railed staircase, a lattice of stone that caught the light like woven fabric – and let the couple move through it. He waited at the foot of the stairs; she descended with her trailing hem gathered in one hand. A kiss on the landing, a slow dance in an empty corridor, her mehendi-covered palm resting on his chest. Modern, minimal and quietly cinematic.
The Bride Beneath the Veil
The wedding itself belonged to another world entirely. Saloni arrived in a deep red lehenga so heavily worked with gold zardozi that it seemed to carry its own light, her face hidden beneath a ghoonghat of embroidered silk. Layers of polki and emerald sat at her throat, a maang tikka rested on her brow and a nath curved across her cheek. She walked the length of the red-lit stage on her own, unhurried, past carved jharokha arches and gilded motifs and every guest fell silent to watch her. When the veil was finally lifted, there was a smile under there that could have lit the hall by itself.
The Groom and His Plume
Abhishek wore ivory – a textured sherwani with a brocade stole. There is a particular kind of composure required of a Marwadi groom, standing at the mandap while the room turns to watch the bride and he carried it well. But the moment she reached him, the composure gave way to something far better: a grin, a raised hand, a finger pointed at the crowd as if to say, look who I get to marry.
Varmala, Petals and Fire
The varmala was the heart of the evening. Garlands of white flowers were lifted and lowered amid a storm of rose petals and as the couple turned to face their families, cold sparklers erupted around them in a shower of white light. Saloni laughed with her hands pressed to her mouth; Abhishek threw his arm around her shoulders. Then the two of them stood together at the front of the stage, arms raised, petals still falling, while the hall roared back at them. If the walls of Tripura Vasini remember royal celebrations, this one earned its place among them.
From the Team at Wedding Bells
Marwadi weddings ask a great deal of a photographer – the scale, the red light, the sheer density of detail on every surface. What made Abhishek and Saloni's celebrations a joy to document was that none of it overwhelmed them. Beneath the ghoonghat and the safa, under the sparklers and the painted king, were two people who kept finding reasons to laugh at each other. That, more than any crown, is what royalty looks like.
To Abhishek and Saloni, thank you for letting us witness both the glamour and the grandeur. May the life ahead be as bright as the sparklers on your wedding night and may you always wear it as lightly as you wore your crowns.